Listening to Liszt's "Hungarian Rhapsody No 1" was an experience that would not easily be forgotten. The M3 got hold of everything the London Festival Orchestra emitted through their horns and violins, and spread it across a soundstage whose boundaries stretched way beyond the distance between the speakers and had a depth that surpassed the boundaries of stereo playback. There was not a moment when the levels got lazy in the quieter parts as the M3 remained remarkably in control of everything. Everything!